Secret Guides and Weird Waymarkers
/“The maples sweat now, out of season. …
— Jay Parini, “Some Effects of Global Warming in Lackawanna County”
Tonight, as I write, a full moon hangs in a sky of gods and myths. The North Star. The Big Dipper. Cassiopeia. These are practical navigation points used by seekers, seafarers, merchants, and travelers of all kinds over the centuries. We’ve relied on these maps: the cycles of the seasons, the placement of the stars, the direction of ocean currents. But what happens when what we take for granted is no longer available? Even Polaris, the North Star, is shifting its position and will eventually be replaced by another star, Vega. What do we do when our navigation points change, when the internal and external maps we have relied on are no longer available?
In a time between worlds, in a phase shift of massive transition, in what is not so much an era of change but a change of era, what do we do and how should we be? What are the cues and clues, the signals and signs, the ways in and through? What shimmers at the edges asking for attention? What skills and capacities, postures and practices are called for in these times? The confluences of catastrophes, as writers for the Dark Mountain Project aptly put it, have only just begun. We have choices. We have agency. There are many ways of traveling rough seas and unknown landscapes.
“My heart is moved by all I cannot save. So much has been destroyed,” writes Adrienne Rich in her poem “Natural Resources.” “I have to cast my lot with those who, age after age, perversely, with no extraordinary power, reconstitute the world.”
I imagine that if you are reading this, you may be on a precipice of some kind. It’s possible that you, and the work, people, and places in the world you care about, have questions to which you do not have the answers.
And this is important. To not know. This is the moment in the old stories, the wisdom stories, where the seeking of a new or very old way—a deeper truth—begins: with an unanswerable question. These are never easy things, these quests; that is the point. These quests begin with an invitation, a challenge, a sense of confoundment. Something doesn’t make sense. To confound is to bring into disorder, to mix things up, and it suggests a process: to be lost, unraveled, and possibly found, but changed.
“If you have a longing for something, there is a good chance that your longing is to feel the edges of something you’ve never seen,” the author and activist Stephen Jenkinson says in an intergenerational conversation series called Forgotten Pillars. “Each detail has a trail that you can read … and if you really pay attention, you can hear an old song in the broken pieces … You have to drop your authority on the matter.”
What has caught me, and what are the edges of my own understanding? I’ll make an offering here, an invitation to stay in the playground with not knowing. It’s a stance of curiosity, from the Latin root curare: to care, to administer medicines. It’s a suggestion to set aside what is held tightly (certainties, roles, definitions, and identities) for a moment and try on other ideas. To make a move. To try on a new pelt. To open the dragon’s lair of imagination and sit on the gems no longer. If there is a time to take a risk and crack a shell, it would be now.
Fluidity: My Father Is a Feather
I want this piece to reflect a dance between the deeply personal and the larger systems, with the knowledge that my personal experiences are fractals of what I work with in larger systems. In the spirit of the adage “how you do one thing is how you do everything,” I must pay exquisite attention to what is right in front of me: Be an inquirer, a querent, an investigative mystery worker, a seeker queering the lines of my own understanding.
So, I will begin closest in, with my closest kin: my father, Tim. He is 88. His once low and gravelly voice that spoke on political campaigns and in public leadership roles and that still speaks of (and to) my mother with great affection a decade after her death, now has the cadence of clouds. He’ll often say he is “floating” when he is confused, sad, or feeling lost. But when I walk through the door to his apartment, he is sheer delight: “Vanessa! Where have you been? I missed you!” Lately, he adds right away, “I love you!”
It doesn’t matter that I saw him just the day before. We are here in the now, diving into a conversation that has cycles and spins. It is a washing machine of silence and revelations. He will ask me, “What are your projects? What are your plans?” He’ll ask several times and then he’ll ask again. It’s a teaching from a beginner’s mind: What are my projects, what are my plans? I hear myself answering a fourth time and notice that I say something I hadn’t thought of before.
My father invites me to pay exquisite attention, to go beyond the obvious and find what was hidden all along. It is an ancient form of practice called repetition, used by martial artists to gain mastery, inventors and scientists to iterate experiments, spiritual lineages to reveal the essence of a person, and explorers to find their way in uncharted waters. To sail the same waters over and over is to notice the rock, the flight paths, the scent that was missed the first 10 times. Repetition with exquisite attention is a navigational device for the unknown. A compass for cultivating attention; each detail offers a trail. Spins and cycles, and aha!—the catching of something new.
A recent addition to my relating repertoire with my father is what I call “the joining.” It’s a quantum trick of time travel. I’ll share news of myself or my brother, and he will say, “Oh, I think I was there!” He’ll weave in details from his life: We’re now in the Volkswagen he drove across Europe as a student, we’re reliving the moment in 1957 when he offered cigarettes to bandits who helped him in a tight spot on an epic trip from Delhi to Naples. It becomes our story, or an intergenerational co-creation. He, whose radius of physical life has greatly diminished, is actively joining the bigger world with us. We are a confluence of the present, the past, and an emerging future—on an adventure together.
I call this Tim-time. The capacity to be in many places and times simultaneously: a superpositioning where particles of our lives exist in multiple states and places at once. It’s a suspension of one kind of reality and an embrace of other forms of what is “real.” Arnold Mindell, the founder of process-oriented psychology, describes this as “fluidity.” To move congruently between levels of reality, states of consciousness, identities, forms of intelligence, and roles with which we might be over-identified. Keeping up with my father is like the Fluidity Olympics; we access and move between different feeling states, identities, and time zones in the creation of meaning, understanding, and connection.
It’s also improv. By nature, improv is generative, taking the offering of the other and saying, “Yes, and …” In my father’s case, this creativity is a full partnership with degeneration. New synaptic paths are being formed as others dissolve. It is the paradox of holding opposing processes simultaneously: creation and destruction, remembering and forgetting, delight and devastation. In between is an atlas of grief and what the educator and therapist Pauline Boss calls “ambiguous loss,” because the father that I have known is no longer available in the same way. The ways that he was put together are coming apart.
The dignity of degeneration comes with honoring its intelligence and being in a courtship of curiosity with the process. This does not mean setting aside the pain, confusion, violence of change, loss, or the extinction of what we love. Rather, it means enlarging the space of possibility. “What if we stun existence one more time?” asks the poet Ayisha Siddiqa. It is true that my father’s primary identity—man, protector, husband, public figure, a version of generational success—is receding. Emerging from what disappears and from the space between opposites, or from under the bark of what was a great solid tree, is a soft, vulnerable, complex guide we are coming to know only now.
“Pay attention, be astonished, tell about it,” writes the poet Mary Oliver, providing instructions for living a life. And so I do. A brain, a body, a life force is changing form before my eyes. He is my father. He is a feather.
Our Secret Guides
When the navigation systems we’ve relied on are themselves unmooring, what do we tether to?
There are many directions to go from here. I’ve written multiple endings to this piece thinking to tie this all up, give it a clean conclusion, but paying attention to the process, to what I’ve been writing about, means staying with the strangeness. Staying on the quest. If these are apocalyptic times—a time of breakages and breakthroughs, a time of revealing truths, uncovering hidden wirings, accessing the thing behind the thing—then my father is modeling apocalyptic postures and practices.
I leave my father’s apartment and my shape has shifted. My heart grows and it grieves, and there is gratitude for this unusual practice ground. This dojo of delight and detritus. It would be easy for me to go back to being who I was before this visit. But the trick here is to stay with it, to keep coming back. I am getting worked. And what arises from practice, from its repetition, reverence, and restitution? An ongoing becoming. An ever-evolving quality of being. It is this being—me, you, us—who goes back into the work of this world, to make a new move. What strange guides are right in front of you, already revealing to you the thing you need most?
There are secret guides everywhere. Very often they can be found on the margins, with no extraordinary power, shimmering at the edges, dismissed, viewed as a burden, exiled, or worse. Take a close look and feel their presence. They are right there disguised, perhaps under a shroud, and quite likely a little bit weird.
***
This piece was originally published in the November, 2024 issue of The Stanford Social Innovation Review (SSIR) in a special supplement called Practices for Transitions in a Time Between Worlds which was curated by Cassie Robinson, bringing together wild thinkers and deep practitioners immersed in evolutionary practices. If you would like to share the article link, click here.
Vanessa Reid is faculty of Wolf Willow Institute for Systems Learning and co-founder of The Living Wholeness Institute.